Vinita Sidhartha

Ripples Of Life and Time


Contrasting Aadu Puli Aatam and Chess

Traditional Games of India other than Chess – Blog 1 of 14

Aadu Puli Aatam etching found near the Butterball in Mahabalipuram

Robert Kanigel in his book – The Man Who Knew Infinity – A Life of the Genius Ramanujan – writes “(Ramanujam) and his mother understood each other. They talked the same language, enjoyed one another’s intelligent company, shared the same intensity of feeling. When he was young, the two of them duelled at Goats and Tigers, played with pebbles, on a grid resembling a perspective view of railroads tracks receding to the horizon, crossed by other tracks perpendicular to them. Three “tigers” sought to kill fifteen “goats” by jumping them, as in checkers, while the goats tried to encircle the tigers, immobilizing them. The game demanded logic, strategy, and fierce, chess like concentration. The two of them revelled in it.”

This exciting game of Aadu Puli Aatam or Bagh Aur Bakri or Puli Meka as it is known in different parts of the country is played with varying numbers of goats and tigers. Variations exist that go from one tiger and three goats to five tigers and 25 goats. The boards too come in all shapes and sizes, but perhaps the board which is most popular of all is the one described by Robert Kanigel.

This curious triangular shape can be found etched on the floor of numerous temple and monuments and in the light of the Chess Olympiad it is interesting to note that many boards are found in the monuments around Mahabalipuram including six boards within a radius of ten feet around the famous Butterball – a gigantic granite boulder resting on a short incline and a major tourist attraction.

Although Aadu Puli Aatam is a game of strategy it is a complete contrast to the game of chess. Originating in peasant homes, this is a hunt game where one player tries to hunt the other. The asymmetry of the game where one player has three game pieces as against 15 of the other; where one player’s role is to hunt and be the aggressor or the tiger against the role of the goat which is to protect each other and immobilise the tiger; results in what looks like a seemingly unequal game. While the goats on the surface look weaker, the game when played effectively is an equal battle between both sides.

What one must remember though is this. The game of chess originated in the homes of kings and zamindars as is attested to by the number of beautiful chess pieces in marble and jade and silver. As such sacrificing a piece to win a game was acceptable as the good of all was greater than the good of the individual.

However, Aadu Puli Aatam is a game of the peasant – the community. Games were played marked on a sandy floor with a stick, or drawn with chalk on f;loors of peasant homes or sometimes etched wth tools on the stone floors of monuments and temples. Every goat sacrificed weakens the community. This reflects a community model where every member of the community must be protected, and they must work together to overcome and neutralise the threats represented by the tiger.

Both models are critical to life today and have important lessons for us. But perhaps the greatest learning of all is the wealth of traditional games representing a wide range of thinking and philosophies. As players battle it out on the black and white chess board, and we watch with bated breath, let us remember these other wonderful games that have been created from the philosophical and cultural underpinnings of our wonderful country.

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Why Ripples of Life?

There is something magical about being on the water.
You are floating, subject to the vagaries of the current.
Somehow there is a sense of being alone with yourself.
And as you look at the ripples, the sun scatters its rays…
And the water infused with light, the droplets shining like diamonds.
In the shade are the shadows— beautiful in their own way.
To me this is very like life itself
With bright highlights — with highs and lows —
Truly the Ripples of Life.


Books by Vinita Sidhartha

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Newspaper Articles by Vinita Sidhartha

The New Indian Express – Just Play column
The lost game of cowrie shells from Kashmir
Poetics of playfulness
The lost game of cowrie shells from Kashmir
Back to the basics
Turning back time to learn about royal games
The treasure in our trees
Shells and the various games we played
The New Indian Express – Memories and Madras
Games inscribed in the past
Street side stories
Through the lens of childhood memories
Through the eyes of a child

In Conversation on YouTube – Memories and Madras

YouTube Links
Indira Parthasarathy – Memories and Madras
Ramesh Krishnan and Ramanathan Krishnan – Memories and Madras
Sriram Venkatakrishnan – Memories and Madras
Prabha Sridevan and Sita Sundar Ram – Memories and Madras
Sikkil Gurucharan – Memories and Madras
Padma Srinath – Memories and Madras
R U Srinivas – Memories and Madras
Sabita Radhakrishna – Memories and Madras
Pradeep Chakravarthy – Memories and Madras
Ranga Kumar – Memories and Madras
Priya Murle – Memories and Madras
Viswanathan Anand – Memories and Madras
Shylaja Chetlur – Memories and Madras
Amar Ramesh – Memories and Madras
Vidya Gajapathi Raju Singh – Memories and Madras
Timeri N. Murari – Memories and Madras
(15) C. D. Gopinath – Memories and Madras – YouTube
S. Sowmya – Memories and Madras
Letika Saran – Memories and Madras
M. V. Subbiah – Memories and Madras
Anita Ratnam – Memories and Madras
Dr B Krishna Rau – Memories and Madras
MCTP Chidambaram – Memories and Madras
Rakesh Ragunathan – Memories and Madras
Krishnamachari Srikkanth – Memories and Madras
Anil Srinivasan – Memories and Madras
Meyyammai Murugappan – Memories and Madras
Sivasankari – Memories and Madras
Mohan Raman – Memories and Madras
Lakshmi Krishnamurthy – Memories and Madras
Thota Tharani – Memories and Madras
Chithra Madhavan – Memories and Madras